Modern culture often glosses over aspects of life that are too intense to cope with on a regular basis. It is our goal to bring death back into everyday life, creating a meaningful connection to the truth of mortality and the benefits of understanding death.
Somewhere along the line, I developed this theory that all jokes are simply little brushes with death. Man walks down the street whistling, slips on a banana peel and falls. He’s strolling along, ‘I wonder where you get a good sandwich around here’ and smack! He finds himself face to face with his mortality; bruising tailbone, and ego, alike.
In the Victorian era, birth and death happened at home, so people knew more or less what to expect. But that’s not true for us! And because we don’t talk much about death and dying we are left with whispered stories, scenes from movies, and random bits that cross social media.
We all wonder what we’ll do, how we’ll react, if (or when) we receive news of our own or a loved one’s terminal diagnosis—and how we’ll go on living when we have that information.
Why do so many doctors feel that giving more treatment is the only way they can express their care and commitment?
Sheila Kitzinger was a “champion of women’s rights in childbirth.” She spent her career pioneering birth plans that secured choice and autonomous control for women giving birth.
There’s nothing comfortable about considering that the people we love most in the world are eventually going to die. The alternative, though—ignoring that it will, indeed, happen one day—can leave us in a much less workable spot.
What does it mean to offer words of candour, reassurance and love when we’re communicating with those who are facing the end of their lives?
When Joan, a close friend to New Orleans designer Candy Chang died, the artist and urban planner was moved to invent and create the “Before I Die” wall on the side of an abandoned house in her neighborhood, using chalkboards and chalk.
WNYC Radio’s program Radiolab recently presented an episode all about mortality—it’s thought-provoking and embedded with fascinating questions, starting with “Do we have to die?” and ending with “How do we deal with dying?”
What Comes Next and How to Like It is a memoir by Abigail Thomas that’s not particularly about death or dying. But it is, without a doubt, about the inscrutable and unpredictable things that life delivers up to us, including plenty of change and not an insignificant amount of loss—something Thomas knows a thing or two about.
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